This graduate seminar covers innovative engagements with new media over roughly the past century, incorporating both theoretical frameworks and aesthetic responses. On the one hand, the course will cover major works of media theory from this period, particularly as they apply to literature, with an emphasis on German authors. Theorists are likely to include Benjamin, Heidegger, Adorno, McLuhan, Kittler, Siegert, and Krämer. On the other hand, we will consider how new media have shaped aesthetic practices, particularly in literary movements identified as experimental or avant-garde. The focus in this respect will be on German-language contributions to movements such as Dada and Concrete poetry, including the works of Raoul Hausmann, Max Bense, and Ferdinand Kriwet. In addition, we will consider works by authors such as Yoko Tawada that foreground the role of written media, and by contemporary writers and artists such as Julius Popp and Amaranth Borsuk who work at the intersection of textual and digital media. Readings can be done in German or English; discussion will be in English.
Course Attributes: EN H
Section 01Literary Seminar
INSTRUCTOR: BealsView Course Listing