Erin McGlothlin

Chair and Associate Professor of German and Jewish Studies

PhD, University of Virginia

research interests:

20th- and 21st-Century German Literature
Holocaust Studies (Literature, Film, and Theory)
Jewish Studies (Contemporary German-Jewish and Diasporic Jewish Literature)
Narrative Theory
Autobiography
Memory Studies
The Graphic Novel

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contact info:

Email: mcglothlin@wustl.edu
Phone: 314-935-4288
Fax: 314-935-7255
Office: Ridgley 321

office hours:

Tuesdays, 2:00 to 3:00 pm
by appointment

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mailing address:

Washington University
CB 1104
One Brookings Drive
St. Louis, MO 63130-4899

Professor McGlothlin's main research interests are in the areas of Holocaust literature and film and German-Jewish literature.

McGlothlin is the author of Second-Generation Holocaust Literature: Legacies of Survival and Perpetration (2006) and has co-edited two volumes: After the Digital Divide?: German Aesthetic Theory in the Age of New Digital Media (2009, with Lutz Koepnick) and Persistent Legacy: The Holocaust and German Studies (2016, with Jennifer Kapczynski). A third co-edited volume, The Construction of Testimony: Claud Lanzmann's Shoah and its Outtakes (with Brad Prager and Markus Zisselsberger), will appear in 2020. Additionally, she has published articles in major journals and edited volumes on Art Spiegelman’s Maus, Ruth Klüger’s weiter leben, Edgar Hilsenrath’s Der Nazi und der Friseur, Bernhard Schlink’s Der Vorleser, and other fictional and non-fictional works of Holocaust literature and film and German-Jewish literature. She is currently finishing a book titled Constructing the Mind of the Holocaust Perpetrator in Fictional and Documentary Discourse, which is under advance contract with Wayne State University Press.

In addition to a comparative focus on the literature of the Holocaust, McGlothlin’s research and teaching interests include postwar and contemporary German literature, Jewish Studies, narrative theory, autobiography, and the graphic novel. She has also created with Anika Walke a year-long first-year seminar on the Holocaust that culminates in a study trip to Holocaust-related sites in Germany, Poland, and Lithuania.

McGlothlin was a research fellow in residence at the US Holocaust Memorial Museum’s Center for Advanced Holocaust Studies in 2006, was a co-leader with Anita Norich of the Center for Advanced Holocaust Studies Hess Faculty Seminar on Holocaust Literature in January 2014, and was an instructor at the Summer Institute on the Holocaust and Jewish Civilization at Northwestern University in 2016 and 2018. She has received additional research grants from the Center for Advanced Holocaust Studies, the Fulbright Foundation, and the Washington University Center for the Humanities. In Summer 2010, she was a DAAD Guest Professor at the Universities of Dortmund and Paderborn. She is also co-editor (with Brad Prager) of the Camden House book series Dialogue and Disjunction: Studies in Jewish German Literature, Culture, and Thought, and is on the editorial board of German Studies Review and a member of the Academic Council of the Holocaust Educational Foundation at Northwestern University.

From 2010 to 2012, Professor McGlothlin was Director of Research, and, in 2013, Interim Director of the Washington University Center for the Humanities.

Spring 2020 Course

Ampersand: Representations of the Holocaust in Literature and Film

As the Holocaust recedes into the historical past, our knowledge of the event becomes increasingly dominated by literary and cinematic representations of it. This course focuses on such depictions of the Holocaust in literature and film and raises a number of challenging questions: What does it mean to represent the horror of the Holocaust, and how literary works and films adequately do so? Can one effectively depict the event in realistic terms, or do unrealistic representations work better? What happens to the history of the Holocaust when it becomes the subject of a fictional text? Who is authorized to speak for the victims? Are representations of perpetrators appropriate? Which experiences of the Holocaust are most often represented in the contemporary public imagination, and which are ignored or repressed? What role does generational and temporal distance play in the cultural memory of the genocide? Can one speak of a "master narrative" of the Holocaust? We will grapple with these questions by examining both literary texts (including survivor memoirs, wartime accounts, journalistic explorations, fictional narratives, and a graphic novel) and documentary and feature film. This course is open only to students who have been admitted to the Ampersand: History, Memory and Representation of the Holocaust program.

in the news:

3.4.19

Winter 2018-19 Newsletter

1.11.19

2018 Faculty Updates

11.2.18

Professor Erin McGlothlin featured in Center for the Humanities article previewing November 5 Holocaust Memorial Lecture

7.27.18

Professor Erlin, Professor Kita, and Professor McGlothlin featured in Ampersand article about first ever Summer Humanities Institute

The Construction of Testimony: Claude Lanzmann's Shoah and its Outtakes

Edited By Erin McGlothlin, Brad Prager, and Markus Zisselsberger

Coming in April 2020!

In The Construction of Testimony: Claude Lanzmann’s Shoah and Its Outtakes, editors Erin McGlothlin, Brad Prager, and Markus Zisselsberger gather contributions on how Shoah (1985) fundamentally changed the nature and use of filmed testimony and laid the groundwork for how historians and documentarians regard and understand the history of the Holocaust. Critics have taken long note of Shoah’s innovative style and its place in the history of documentary film and in cultural memory, but few scholars have touched on its extensive outtakes and the reams of documentation archived at the United States Holocaust Memorial Museum and at Yad Vashem, or the release of five feature-length documentaries based on the material in those outtakes.

The Construction of Testimony, which contains thirteen essays by some of the most notable scholars in Holocaust film studies, reexamines Lanzmann’s body of work, his film, and the impact of Shoah through this trove—over 220 hours—of previously unavailable and unexplored footage. Responding to the need for a sustained examination of Lanzmann’s impact on historical and filmic approaches to testimony, this volume inaugurates a new era of scholarship, one that takes a critical position vis-à-vis the filmmaker’s posturing, stylization, and editorial sleight-of-hand. The volume’s contributors engage with a range of dimensions central to Lanzmann’s filmography and the outtakes, including the dynamics of gender in his work, his representation of Nazi perpetrators, and complex issues of language and translation.

In light of Lanzmann’s invention of a radically new form of witnessing and remembrance, Shoah laid the framework for the ways in which subsequent filmmakers have represented the Holocaust cinematically; at the same time, the outtakes complicate this framework by revealing new details about the filmmaker’s complex editorial choices. Scholars and students of film studies and Holocaust studies will value this close analysis.

Wayne State University Press

Persistent Legacy: The Holocaust and German Studies

Edited By Erin McGlothlin, Jennifer Kapczynski

In studies of Holocaust representation and memory, scholars of literature and culture traditionally have focused on particular national contexts. At the same time, recent work has brought the Holocaust into the arena of the transnational, leading to a crossroads between localized and global understandings of Holocaust memory. Further complicating the issue are generational shifts that occur with the passage of time, and which render memory and representations of the Holocaust ever more mediated, commodified, and departicularized. Nowhere is the inquiry into Holocaust memory more fraught or potentially more productive than in German Studies, where scholars have struggled to address German guilt and responsibility while doing justice to the global impact of the Holocaust, and are increasingly facing the challenge of engaging with the broader, interdisciplinary, transnational field.

Persistent Legacy connects the present, critical scholarly moment with this long disciplinary tradition, probing the relationship between German Studies and Holocaust Studies today. Fifteen prominent scholars explore how German Studies engages with Holocaust memory and representation, pursuing critical questions concerning the borders between the two fields and how they are impacted by emerging scholarly methods, new areas of inquiry, and the changing place of Holocaust memory in contemporary Germany.

Boydell and Brewer

Second-Generation Holocaust Literature: Legacies of Survival and Perpetration

By Erin McGlothlin

Among historical events of the 20th century, the Holocaust is unrivaled as the subject of both scholarly and literary writing. Literary responses include not only thousands of autobiographical and fictional texts written by survivors, but also, more recently, works by writers who are not survivors but nevertheless feel compelled to write about the Holocaust. Writers from what is known as the second generation have produced texts that express their feeling of being powerfully marked by events of which they have had no direct experience. This book expands the commonly-used definition of second-generation literature, which refers to texts written from the perspective of the children of survivors, to include texts written from the point of view of the children of Nazi perpetrators. With its innovative focus on the literary legacy of both groups, it investigates how second-generation writers employ similar tropes of stigmatization to express their troubled relationships to their parents' histories. Through readings of nine American, German, and French literary texts, Erin McGlothlin demonstrates how an anxiety with signification is manifested in the very structure of second-generation literature, revealing the extent to which the literary texts themselves are marked by the continuing aftershocks of the Holocaust.

Boydell and Brewer

After the Digital Divide? German Aesthetic Theory in the Age of New Media

Edited By Lutz Koepnick and Erin McGlothlin

The term "new media" is a current buzzword among scholars and in the media industry, referring to the ever-multiplying digitized modes of film/image and sound production and distribution. Yet how new, in fact, are these new media, and how does their rise affect the role of older media? What new theories allow us to examine our culture of ubiquitous electronic screens and networked pleasures? Is a completely new set of perspectives, concepts, and paradigms required, or are older modes of discussion about the relationship between technology and art still adequate? This book reconsiders the seminal work of German media theorists such as Adorno, Benjamin, and Kracauer in order to explore today's rapidly changing mediascape, questioning the naive progressivism that informs much of today's discourse about media technologies. The contributions, by internationally-recognized critics from a variety of academic fields, encourage a view of the history of media as structured by difference, complexity, and multiplicity. Together, they offer intriguing ways of understanding the changed position of media in today's Germany and beyond.

Boydell and Brewer